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Theses from 1966

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An Investigation into Romanticism in Art, Jeanne H. Butler

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The Method Theory of Drawing, Bernard T. Casey

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Color and its Development in Intaglio Printmaking, Charles H. Dugan

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Photographic Abstractions as a Basis for Rug Design and Construction, Carol J. Edwards

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S. Routson's Pottery, George L. Hageman

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An Investigation of the Use of Portable Electric Power Tools in Copper Intaglio Printmaking, Joan W. Hausrath

Ugliness in Art, Daniel D. Hole

A Discussion of the Man, The Artist, Samuel F.B. Morse, Barbara J. Horn

Experimental Film as an Art Form, Barbara J. Horn

An Investigation of Prototype Structures of Rock Cut Temples of India, Donald L. Konz

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The Adaptation of Photographic Serigraphy to Intaglio Printmaking, Robert L. Notestine

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A History of Ohio Architecture, E. Allan Ross

Investigation of Watercolor, Donald Schrom

An Explanation and Discussion of My Painting, Sandra Jill Schwartz

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An Inquiry into the Influence of the Ukiyo-Ye on the Late Nineteenth Century French Painters, Julie Ann Weiss

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The Sources of Chinese Painting, Po-Ying Wu

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A Study of the Relationship of Selected Structural and Content Variables to Sermon Effectiveness, Marvin Lee Ziegler

Theses from 1965

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Impressionism Revisited: A Hypothetical Exhibition of Impressionist Paintings, Lamonte Anderson

Personal Growth and Development in Graduate School, John W. Florentine

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Free-Standing Paintings, John J. Hettel

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A Comprehensive Guide to the Field of Advertising Design, Ronald J. Jacomini

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Representations of Good and Evil: A Hypothetical Art Exhibit, Helen P. Mann

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Monochromatic Painting, Robert Mazur

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Contemporary Printmaking Techniques, N. E. Oestreich

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Bases for Sculpture: A Discussion of Varied Techniques, Materials and Methods for Display, Dale F. Schmidt

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An Investigation of Sheet Plastic as a Print Making Medium, Ruth McIntyre Williams

Theses from 1964

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The Development of Two Printing Surfaces for the Graphic Arts, David L. Cayton

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A Study of Extant Courthouses Built in Ohio 1830-1860, Winona M. Stewart

Theses from 1963

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A Descriptive Study of Aluminum Casting Processes in Sculpture Utilizing a Foamed Plastic Model, Gene A. Mittler

Theses from 1962

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An Investigation of Columns Used in Egyptian Architecture, Don C. Eaton

Theses from 1961

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An Investigation of Selected Ceramic Decorative Techniques, Sarah F. Blackmun

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The Teaching of Basic Drawing in the Secondary School Art Program, Carol E. Hartman

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New Attitudes Toward the Sketch and the Drawing in the Renaissance and Post-Renaissance Periods, John W. Pimlott

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"Visions of Hell," A Study of Fine Art as Illustration, Peter B. Renich

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Edward Hopper: An Analysis of His Art, Stephen C. Stine

Theses from 1960

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A Study of Color in Twentieth Century Painting, Anita M. Hickman

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An Analysis of the Influence of Judaism upon the Art Work of Marc Chagall, Donald Jay Nadel

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Techniques and Materials for Finishing Sculpture, John M. Zeilman

Theses from 1959

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Anti-Semitism as Reflected in Medieval Christian Art, Donald G. Christian

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Investigation of the Sources and Dominate Themes of the French Sculptress Germaine Richier, Nancy J. Coleman

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The Development of an Inexpensive Flat Bed Engraving Press, Ronald L. Coleman

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Techniques for Mounting and Setting Precious and Semiprecious Stones, Harold L. Hasselschwert

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A Stylistic Study of the Painting of Kenneth Callahan, Northwest Mystic, Jean C. Weihl

Theses from 1958

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Innovations in Twentieth Century Painting: Attitudes, Techniques, and Materials, Joseph V. De Luca

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An Investigation of Mural Technique, Donald R. Schrom

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Aesthetics and the Individual, Jack Troutner

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Setting Up Of Basic Color Course For Art Students At College Level, Paul John Zelanski