Theses/Dissertations from 1975
New Vision: The Uniqueness of Every Artist, Michael J. Huffman
Portrait Sculpture: Physical and Psychological Characteristics, Paul W. Johnson
The Negative Feminine Archetype in the Works of Edvard Munch, Bonnie G. Kelm
The Factual Aspect in Contemporary Process Painting, Dorothy Linden
An Exploration of Using Inlay in a Synthetic Resin Matrix, Elizabeth M. Siciliano
The Subjective Potential of Compositional Characteristics of Reflected Imagery, Richard G. Vander Broek
The Career of William Henry Jackson, Pioneer Photographer, Clifford H. Warnken
Theses/Dissertations from 1974
The Design and Construction of a Kiln with an Accompanying Instruction Manual, James A. Boldt
An Inquiry into Repousse, Patricia A. Brown
Combine Painting: Illusion and Reality, Frederick E. Cartwright
The Durability of Watercolor Paper Under Full Saturation, George W. Crown
The Critics of Georgia O'Keeffe, Rita Hinkle
The Use of Movement in Jewelry, Tim L. McCreight
Description and Evaluation of Art Workshops for High School Students Held at Notre Dame College, Cleveland, Ann E. Riedel
The Symbolic Language of Vincent Van Gogh, Ronald R. Russell
Price Theory as it Pertains to the Studio Artist, Terry J. Schenck
The Nature and Future of American Representational Painting in the 1970's, James B. Taylor
The Technique of Granulation and Its Aesthetic Potential in Jewelry, Joseph C. Timmons
A Study of the Painting of Lawren Harris, Maureen Lansing Wong
Theses/Dissertations from 1973
Gustave Courbet and William Morris: Communicators of Socialist Ideology of The Mid-Nineteenth Century, Jeanette L. Bauer
Photography as a Tool to the Painter, David R. Behlke
Formulation of Glazes from Peak Nepheline Syenite, Susan H. Closson
Soviet Social Realism As A Logical Extension Of Constructivism, Edward J. Droege
Finials, Facades, And Filigree: The Years Of Architectural Decoration In Bowling Green, Ohio, Glenn Felch
The History and Application of the Technique of Stain Painting, Robert J. Jamback
Forming Devices for the Creation of Shaped Drawing Surfaces, William H. Jerdon
A Study of Some Poems About Paintings, Margaret King
Stoneware Glazes Developed from a Local Clay Source, James Sankowski
The Hanging Entity in Contemporary Jewelry, Guy Scott Tabar
Soldering Techniques For The Combination of Non-Ferrous Metals In The Creation of Jewelry, Mark E. Vance
Printing from a Polymer-Acrylic Plate, Louise G. Williams
Theses/Dissertations from 1972
An Experiment In Painting: Multiple Transparent Planes, Elizabeth A. Brandfass
A Search For Visual Poetry, Michael A. Dorsey
The Design and Construction Of A Ceramic Architectural Wall Panel, Stephen K. Haworth
A High School Library Mural With The Humanities Theme: The Unity In All Of Life Expressed Through The Arts, Sister Jane Mary Sorosiak OSF
An Exploration Of Demonic Imagery Within Expressionistic Painting, Wade S. Thompson
An Investigation Into The Relationship Of Pavel Tchelitchew's Work To Albert Einstein's Theory Of Relativity, Dorothea R. Thornton
A Linear Approach To Sculpture, Donald Treadway
The Expression Of Primal Pain In Art, Wendall M. Upchurch
Elements Of Style In The Art Of Drawing, John C. Whelan
Theses/Dissertations from 1971
The Potentials of a White Raku Clay Body, Daniel O. Engelke
Modifications of Surfaces in Painting, Betty Fulmer
A Study of Graphic Subtlety: The Sources, Effects and Media of the Artists, Chris N. Hansen
Hinge Systems for Lidded Ceramic Jars, Bruce A. Patterson
Theses/Dissertations from 1970
Nature Imagery in the Works of Sarah Orne Jewett, Sandra J. Gagnon
Casting of Forms From Organic and Inorganic Materials, Ralph C. Paterson
A Critical Analysis of Afro Basaldella's Paintings: Afro -- A Modern Master, Jeanne V. Pellegrino
The Construction and Aesthetics of Four Projects Involving the Medium of Artificially-Produced Light, Mark L. Smith
Combined Materials: Shaped-Canvas and Metal in Painting, Theodore W. Vassar
The Textural Potential of Wax in Models for Centrifugal Casting, Judy M. Wenig
Theses/Dissertations from 1969
Discussion of An Environment, Cheryl A. Bellus
Basic Fasteners Used in Jewelry Design, Charles A. Kumnick
The Relationship Between Futurism and Fascism, Herbert Keith Matzinger
Rug Design and Methods of Manufacturing, Violet Tinsley
An Investigation of the Relationship Between the Work of Salvador Dali and Claes Oldenburg with Particular Emphasis on the Concept of Soft Objects, Joan Kathryn Weaver
Theses/Dissertations from 1968
Interrelationships Between the "Happenings" Movement in Contemporary American Art and the Tao Te Ching, Donald R. Beck
A Contemporarium for Adolescents, Clarence P. Berg
The Planning Stages of a Mural, John Robert Carlander
Motivations of Contemporary Artists Employing Pornographic Subject Matter, Kenneth B. Clifford
The Problem of Relating a Mural Design to a College Christmas Pageant, Douglas A. Eckheart
Basic Principles and Practices for Centrifugal Casting of Jewelry, William R. Fiorini
Art Objects Emphasizing Technological Interests, Alan E. Greenfield
Deception in Recognizable Forms, Thomas R. Hilty
Evolution and Discussion of a Sculpture, Gene Kangas
The Utilization of the Fiberglass Medium in Relation to Sculpture, Arthur L. Limbach Jr.
The Creative Act, T. Joseph Neill
An Analysis of the Artist's Work: Arshile Gorky, Werner S. Reichrath
Art Appreciation Presentation: A Chronological Integration of Art and Music, LaVonne Satterfield
Construction of Pots using Cubes and Spheres as Basic Forms, Richard D. Schneider
The Production of a Substantial Sculpture, George W. Sell
The Influence of Technique, in the Evolution of a Weaving Design, Thomas C. Siefke
The Study and Comparison of Glaze Techniques: The Traditional Venetian Oil and the Modern Synthetic, Mary T. Wolfe
Marie Bashkirtseff, Artist, Majorie S. Wright
Theses/Dissertations from 1967
Eskimo Prehistoric Art In The Bering Straits Region, Judith Armbruster
Death As Portrayed In The Twentieth Century Art Forms, Jaye T. Bumbaugh
Art Nouveau And Its Significant American Artists, Janet Fischer
Summary of Graduate Work, Janet Fischer
Methods of Machine Mixing Ceramic Shell Investment Slurry for Intermittent Use, Judith Greavu
Plastics As A Sculptural Medium, Albert C. Hausmann
The Casting of A Pearl Ring, Mary Ann Jump
A Brief Description of the Ancient Greek Healing Cult With an Emphasis on the Temples and Sculpture Associated With Them, Regina Medley
The Modular House: A Solution, Richard Alan Neuman
Approaches To Collage In Art, Carrol Lee Rice
Derivation and Social Significance of Renaissance Flower Symbolism, David E. Ritter
The Effect of the Revolution of 1910 on Modern Mexican Painting, Karlene K. Shreffler
Theses/Dissertations from 1966
A History of Architectural Ceramic Relief Panels, Frederick N. Arn
The Equestrian Monument from Antiquity to the Beginning of the High Renaissance, Suzanne Bodine
A Gift to a Teacher, Arlene Boileau
An Investigation into Romanticism in Art, Jeanne H. Butler
The Method Theory of Drawing, Bernard T. Casey
Color and its Development in Intaglio Printmaking, Charles H. Dugan
Photographic Abstractions as a Basis for Rug Design and Construction, Carol J. Edwards
S. Routson's Pottery, George L. Hageman
An Investigation of the Use of Portable Electric Power Tools in Copper Intaglio Printmaking, Joan W. Hausrath
Ugliness in Art, Daniel D. Hole
A Discussion of the Man, The Artist, Samuel F.B. Morse, Barbara J. Horn
Experimental Film as an Art Form, Barbara J. Horn
An Investigation of Prototype Structures of Rock Cut Temples of India, Donald L. Konz
The Adaptation of Photographic Serigraphy to Intaglio Printmaking, Robert L. Notestine
A History of Ohio Architecture, E. Allan Ross