Theses/Dissertations from 1987
Carbonizing Firing Techniques, Cecilia M. Rutherford
Theses/Dissertations from 1986
Comments on the Work of John H. Twachtman and Other Transcendental Aspects of 20th Century American Landscape Painting as They Reflect in the Work of Charles Bensman, Charles L. Bensman
Space Images From a Forging Technique, Nam-woo Cho
A Study of Fantasy Body Sculpture (with myself in mind), Kristin Elizabeth Diener
American Landscape Photography, John David Erwin
Reflections on a Multi-Media Collaboration, Randall P. Horst
The "Quilt Piece", Jennifer Lynn Johnson
A Study Of Contemporary Installations By Women Artist in Galleries and Museums, Nancy W. Leetch
A Personal Approach to Realism, Tamara A. Monk
Expressive Manipulation of Media, Elizabeth Rodriguez
Patterns and Parallels, Judi Warren
Theses/Dissertations from 1985
A Comparative Analysis of the Thematic Content of the Work of Ed Kienholz and the Thesis Sculpture of Jim Calvin, James H. Calvin
Thoughts on Recent Work, including a Survey of Contemporary Drawing, Kimberly D. Finley
Mourning Pictures: A Reflection of Nineteenth-Century American Culture, Donna J. Guthland
Corridors of the Mind, Deborah S. Humberger
The Image of the New Zealand Māori in English Colonial Art of the Nineteenth Century, Marie Louden-Hanes
The Gan Roe Variations and Other Disreputable Pursuits, Greg Metcalf
Theses/Dissertations from 1984
Nature Revisited, Susan L. Ash
An Examination into the New Effects which can be Achieved by Providing Liquid Crackle Enamels with a Compatible Metal Base, Deborah S. Humberger
Abstracted Forms: Effects of light and Color in a Spatial Field, Sister Carol Kruse
The Relationship Between The Art Nouveau Movement And The Jewelry Of Rene Lalique, Cynthia Marso
Subjective and Non-Analytical Approaches to Painting, Robert E. Miller Jr.
Amphibious Dialogue: Conversations Between Form and Content, Amie Oliver
Seven Story Celebration: The Arts and Human Ritual; a multimedia event, Kenneth Brian Phillips
Interior Spaces, Cheryl A. Sheppard
The Relationship of Historic Styles and Techniques of Ring Making to Contemporary Developments, Kim Marie Traicoff-Brumby
Theses/Dissertations from 1983
The Interiors of William Merritt Chase: The New Studio and the New Woman, Cynthia L. Crow
Bound Images, Dana Henry
Patterns in Nature, Ann L. Hense
Hard-Edge Painters of the 1950's and 1960's, Heather L. Obert
Software - An Exhibition of Porcelain and Bronze, Julie Anne Schnell
Metals and Fibers: An Interaction, Susan K. Sells
Theses/Dissertations from 1982
The American Panoramic Landscape, Lanna Pendleton Hall
The Display of 18th-19th Century Iranian Artifacts in American Museums, Minoo Missaghi
Eros or Pure Form? Nudes Here and Now in Historical Context, Mary N. Murray
An Historical Survey of Black Artists in America, with Special Emphasis on the Period of the Harlem Renaissance to the Present, Leah H. Reeder
Theses/Dissertations from 1981
The Art of Thomas Moran and William Henry Jackson; Its Influence on the Formation of Yellowstone National Park, Jacquelyn R. Amstutz
Surface Experimentation Influenced by Modern Japanese Art, Debra S. Babylon
Casting for the Purpose of Enameling, Joseph A. Bonifas
One Man One Woman - An Exhibit of Paintings and Drawings, Walter A. Burrow
An Investigation into Word and Image Fusions in the work of Max Ernst from 1919 to 1924 and Their Place in Early Twentieth-Century Art and the Origins of Surrealism, Leslie Stewart Curtis
Aura: An Exhibition of Enamels and Drawings, Lynn M. Floriano
The Relationship of Enameling to Painting and the Graphic Arts, Scott D. Hilty
The Death Of The Avant-Garde, Carole Siwek Kauber
Surrealism in Da City Dat Woiks, William Simpson
Theses/Dissertations from 1980
Description and Background of the Temple of Zeus at Olympia, Steve Frushour
Transparencies in Mixed Media Drawings and Paintings, Anne Farley Gaines
Extruding New Ideas in Clay: An Exhibition Focusing on the Properties of Clay, Roy Hanscom
An Examination of the Shift in Perspective in the Work of Karel Appel, Charlene Herout Jerman
The Use of Applied Grounds in Drawing, Norma S. Johnson
The Influences of Materials on a Weaving Design, Rochana Junkasem
Possibilities of Gold Luster in Copper Enameling, Paula S. Len
Reality - New Perspectives a Creative Thesis Exhibition, Gerald A. Matlick
Decoration and Adornment, Rodney R. Myers
Integration of Abstraction in Realistic Imagery Through Traditional Lithography and Intaglio Techniques, Jonathan William Rice
A Biographical Study of Two Black Women Artists and the Influences in Their Art, Barbara A. Selvey
Theses/Dissertations from 1979
Relief Surfaces for Painting, James E. Allen
Major Influences on Canadian Painting Since WWII, John R. Blosser
An Analysis of Visual Dynamics and the Concept of Space in Sculpture in Terms of Axes and Their Configurations, Sally A. Hobbib
Kandinsky: Analysis of Philosophy and Color Theory, Catherine M. Leisek
A Study of Pastel Painting, Gary P. Marks
The Procurement and Installation of Sculpture in Selected Shopping Malls from the Mid-1950's Through the 1970's, Steven E. Simcox
The Figure and Its Environment, Don W. Simon
The Methodology of the Series as Developed by the Contemporary Painter, Mary Ellen Storm
Decorative Pattern in Painting from Illuminated Manuscripts to the Present, John L. Templin
Theses/Dissertations from 1978
MA Thesis Exhibition, Wendell H. Arneson
An Exhibition of Oil Paintings, Michael D. Brower
The Value of Contemporary Sculpture In Contemporary Jewish and Christian Houses of Worship, Sister Mary St. Pius Brown SND
A Thesis Exhibition, Cora Mariae Harkins
Thesis Exhibition, Craig Douglas Kleine
A Study of Alternative Halftone Printing Techniques, Treelee M. MacAnn
The Art of Thomas Wilmer Dewing: Themes and Influences, Penny Wilbur McMorris
M.F.A. Thesis Exhibition of Paintings and Drawings, Amy Clare Mehalick
Experimentations in Handmade Papermaking, Lucy A. Moulton
The Airbrush: Its Uses and Techniques in Relation to Contemporary Painting, Maurice A. Papier
Sculpture Techniques on the Secondary Level, William C. Provident
Variations of Sgraffito and Airbrush Techniques in Painting, Donald Townsend
Theses/Dissertations from 1977
An Approach to Printmaking in the Third Dimension, David L. Burkett
A Survey of Erotic Imagery in Selected Works of Paul Klee, Kathleen Cooper
Rome Aeterna: Eternal City, Enduring Symbol, Beverly A. Fisher
Combined Media: Painting and Drawing Techniques, Millie Giles
A Manual to Assist A Potential High School Art Teacher Make The Transition From Student to Teacher, Carolyn M. Goforth
Work in Series: Interdependence of Statement and Medium, Aletha A. Jones
A Creative and Technical Approach to A Landscape Ceramic Mural, Toni Lieppert
Slip Glazes in an Electric Kiln, Lynn M. Nachbar
The Evolution of the Poured Image, Mona S. Rubin
Theses/Dissertations from 1976
Spray Paint Techniques with emphasis on the Paintings of Jules Olitski, Chuck Close, Patricia Rhoden, Patricia Rhoden Bartels
A Hypothetical Sculpture Exhibition: Mirrored Environments, Michael D. Coster
The Execution of a Transparent Watercolor Employing Liquid Latex as a Resist, Rob L. Erdle
Artist as Illustrator: The Wood Engravings of Fritz Eichenberg, Douglas R. Fiely
Fundamental Watercolor Techniques Explored and Demonstrated, Emma Louise Hamblin
Space, Mass, and Volume (An Examination Based on the Works of Brancusi, Calder, and Moore), Kent Juillard
Experimentation with White Glues Used as a Medium for Artists, Jan R. Martin
The Origin, Evolution, and Evaluation of Expression '71 and Expression '72 Arts Exhibits for Secondary-Age Students, David G. Matthews
The Role of Neutralized Color in 20th Century Art, Fauvism Through Abstract Expressionism, Daniel Piersol
Theses/Dissertations from 1975
Champleve Enameling by Engraving on Contemporary Jewelry, Bruce E. Baker
A Study of the Use of Sport and the Image of Athletes as Depicted in the Writings of Gilbert Patten 1900-1925, Thomas M. Balchak
The Contribution of Dominick Labino to the Molten Glass Movement, Louise Bruner
A Study of Some Primitive Structural Elements in Pablo Picasso's "Demoiselles D'Avignon" and Igor Stravinsky's "Le Sacre Du Printemps", Kathleen Everingham
Salvation Through Suffering: A Reinterpretation of Theme In The Isenheim Altarpiece, Sandra M. Highnam