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| 2024 | ||
| Saturday, March 16th | ||
| 3:00 PM |
From Empire to "Umpire": A Re-reading of A Passage to India in the Pakistani Context Zulfgar Hyder, University College of the North 3:00 PM - 3:45 PM |
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|---|---|---|
| 3:00 PM |
The Political Economy of Left Obstructionism Daniel Burnfin, University of Chicago 3:00 PM - 3:45 PM |
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| 3:45 PM |
Class Consciousness in Kate Beaton’s Ducks Tyne Lowe, Bowling Green State University 3:45 PM - 4:30 PM |
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| 3:45 PM |
David Buehrer, Valdosta State University 3:45 PM - 4:30 PM |
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| 3:45 PM |
Write What You Know: Creative Writing and the Decline of Working-Class Fiction Adam Rensch, Bowling Green State University 3:45 PM - 4:30 PM |
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| 4:30 PM |
AI in HigherEd: Hero or Villain? Kristine Ketel, Bowling Green State University 4:30 PM - 5:15 PM |
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| 4:30 PM |
Capitalist Realism as Rhetoric: r/teachers as an Online Case Study Will Walton, Bowling Green State University 4:30 PM - 5:15 PM |
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| 5:15 PM |
From Cold Calls to Power Calls: Dehumanization and Class Struggle in Sorry to Bother You Ahmad Bilal, Bowling Green State University 5:15 PM - 6:00 PM |
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| 5:15 PM |
Performance as Politics in the Roseanne Revival Becca Cragin, Bowling Green State University 5:15 PM - 6:00 PM |
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| 5:15 PM |
Ben Thomason, Bowling Green State University 5:15 PM - 6:00 PM |
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| 6:00 PM |
Bowling Green State University 6:00 PM - 7:00 PM |
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