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Title

Let No Man Judge: Remembering the Calypsonian and Containing Risk

Document Type

Article

Abstract

When calypsonian Merchant died of HIV-related causes in 1999, his life and death became a conduit for the public discussion of HIV/AIDS in Trinidad and Tobago. Merchant was remembered simultaneously as a womanizing, working-class calypsonian and as a closeted gay man. These public narratives, like narratives of other individuals associated with disease or epidemics, used music to allocate risk to marginalized groups and, by implication, away from much of the general Trinidadian public.

Publication Date

Spring 2022

Publication Title

Ethnomusicology

DOI

https://doi.org/10.5406/21567417.66.1.08

Volume

66

Issue

1

Start Page No.

138

End Page No.

156

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