The value of wearing two hats: Reflections of a romance writer by night/feminist media scholar by day
Start Date
14-4-2018 11:30 AM
End Date
14-4-2018 12:30 PM
Proposal Type
Individual Presentation
Abstract
By night, I’m likely to be tucked behind my computer, writing the spicy passages of my next contemporary romance novel under my pen name. By day, I’m likely to be teaching, analyzing or researching similar content as a professor of media studies and a feminist media scholar at a public university in New England. In this session, I’ll wear both hats, sharing my experiences of hopping across this line between producer and fan, between author and media critic, and how I’ve found these unique perspectives to inform one another in essential ways. First, I’ll share how my academic training in feminist media analysis has prepared me to join a vibrant (and growing) community of romance authors writing feminist, intersectional, women-centered and diversity-conscious romances, which I argue play a vital role within our current social and political climate. I’ll also discuss my process – and rationale – for applying a feminist critique to my own works-in-progress. Conversely, I’ll share how my experiences as a romance author and as an active member in the professional romance writing community (including the Romance Writers of America) have shaped my academic media scholarship in important and positive ways. Key considerations of the session include: the role of self-publishing in the diversification of the romance genre, romance’s potential for subverting social and cultural norms, and the increasingly blurred lines between production and reception.
The value of wearing two hats: Reflections of a romance writer by night/feminist media scholar by day
By night, I’m likely to be tucked behind my computer, writing the spicy passages of my next contemporary romance novel under my pen name. By day, I’m likely to be teaching, analyzing or researching similar content as a professor of media studies and a feminist media scholar at a public university in New England. In this session, I’ll wear both hats, sharing my experiences of hopping across this line between producer and fan, between author and media critic, and how I’ve found these unique perspectives to inform one another in essential ways. First, I’ll share how my academic training in feminist media analysis has prepared me to join a vibrant (and growing) community of romance authors writing feminist, intersectional, women-centered and diversity-conscious romances, which I argue play a vital role within our current social and political climate. I’ll also discuss my process – and rationale – for applying a feminist critique to my own works-in-progress. Conversely, I’ll share how my experiences as a romance author and as an active member in the professional romance writing community (including the Romance Writers of America) have shaped my academic media scholarship in important and positive ways. Key considerations of the session include: the role of self-publishing in the diversification of the romance genre, romance’s potential for subverting social and cultural norms, and the increasingly blurred lines between production and reception.