Romance Novels for Feminists: What Does That Mean?

How do online spaces allow feminist romance readers to define and negotiate feminism for themselves? How do these readers define which romance novels are feminist, and which are not? In this case study, I will look at the popular romance review blog, Romance Novels for Feminists (RNFF). In 2009, Jackie C. Horne, a romance novelist, former children’s book editor, and literary scholar, established RNFF to review and comment on romance novels in all subgenres. RNFF does not explicitly state criteria for book selection, only stating that it “strives to review only books that in its opinion espouse and/or encourage feminist value.” RNFF’s reviews of feminist romance novels are based on a no-grading system intended to open up conversations about feminism and fiction. The reviews on RNFF allow for dialogue amongst readers, responding to both the books themselves and to Horne’s reading of them. This paper will explore the traits that Horne homes in on for her selection of “feminist romance” criteria as well as the traits that blog responders find most important. I will focus particularly on claims of sexist and feminist contradictions in these reviews. Moments of agreement and disagreement between reviewer and responders suggest romance readers are using online spaces such as RNFF to determine what feminism means to them as well as to form and articulate opinions on what does and does not count as feminist in the genre.