Honors Projects
Abstract
The art of adaptation is a difficult process, and is often hard to please general audiences that have a connection to the source material. As a student who studies both English Literature and Film Production, the question asked through this study is what does it take to write a “successful” adaptation? What qualifies as “successful”? How does an adaptation balance the themes, characterization, and plot of a piece of literature with the continuous momentum and visual complexity that the medium of film requires, all in 120 pages or less? This study engages with these questions by actively practicing adaptation, adapting Carmen Maria Machado’s “Real Women Have Bodies” from her short story collection Her Body and Other Parties into a short film screenplay of approximately 33 pages. Regarding the story’s themes, the question was also asked about how queer identity intersects with horror, and what tropes should be avoided. This study concludes that adaptation is an ever-changing process that is more about the subjective experience of the writer with the text. Adaptation has evolved over time to prioritize the writer’s artistic evaluation of the text instead of prioritizing complete faithfulness to the text.
Department
Honors Program
Major
English
First Advisor
Dr. Heath Diehl
First Advisor Department
Honors Program
Second Advisor
Professor Sara Chambers
Second Advisor Department
Theatre and Film
Publication Date
Spring 4-2023
Repository Citation
Ephlin, Madison, ""Real Women Have Bodies": A Study in Adaptation" (2023). Honors Projects. 901.
https://scholarworks.bgsu.edu/honorsprojects/901
Included in
English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, Film Production Commons, Screenwriting Commons