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Abstract

This four-part series explores the relationship between rhythm, expectation, and experience. It describes musical terms and central concepts while using specific examples from Morocco to problematize western-centric binaries.

DOI

https://doi.org/10.25035/wmt.2021.003

Publisher's Statement

The online version of this chapter includes all embedded content and is available at https://worldmusictextbook.org/witulski-2021.

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