Submissions from 2023
Uwe Scholz’s Choreographic Conception of Beethoven’s Seventh Symphony, Eftychia Papanikolaou
Submissions from 2022
Sven-David Sandström, Per Broman
Night Sky, Elainie Lillios and Don Bogen
Sacred and Secular Intersections in Music of the Long Nineteenth Century, Eftychia Papanikolaou
Spontini in città: Bach e la politica musicale a Berlino, Eftychia Papanikolaou
8,632 Places in New York City, John Sampen
Submissions from 2021
Where Does the Music Come From? Musical Meaning and Musical Discourse in Ingmar Bergman's Films, Per F. Broman
Don't. Blink, Elainie Lillios
"Lost in My Garden" for Cello and Piano, Marilyn Shrude
Portrait Concert, Marilyn Shrude
Submissions from 2019
Another Woody: J. S. Bach in Dixieland, Per F. Broman
Focus: Music and Religion of Morocco, Christopher Witulski
Submissions from 2018
Karin Rehnqvist, Per F. Broman
Spontini and the City: Bach and Musical Politics in Berlin, Eftychia Papanikolaou
Contentious Spectacle: Negotiated Authenticity within Morocco's Gnawa Ritual, Christopher Witulski
The Gnawa Lions: Authenticity and Opportunity in Moroccan Ritual Music, Christopher Witulski
Submissions from 2017
Linking Christian and Faustian Utopias: Mahler's Setting of the Schlußszene in his Eighth Symphony, Eftychia Papanikolaou
On the British Reception of Ken Russell's Mahler, Eftychia Papanikolaou