Doctor of Musical Arts Dissertations

Doctor of Musical Arts Dissertations

 

Follow

Theses/Dissertations from 2018

Link

"Because there is no basis for comparison": The Self-Accompanying Singer and Roger Reynolds' Sketchbook for The Unbearable Lightness of Being, Elizabeth A. Pearse

Theses/Dissertations from 2017

Link

The Music of Marc Battier, Kee Yong Chong and Gene Coleman: Compositions for Traditional Asian Instruments and Electronics in the Twenty-First Century, Hong-Da Chin

Link

Found Composition: Ecological Awareness and its Impact on Compositional Authority in Music Employing Electronics, Cory Ryan Kasprzyk

Link

The Vocalizing Pianist: Embodying Gendered Performance, Michiko Saiki

Link

The Saxophone Music of Alex Mincek and Eric Wubbels: Uses of Form, Repetition, and Extended Technique, Matthew Edward Younglove

Theses/Dissertations from 2016

Link

Pedagogical Approaches to Conducting Gesture in Contemporary Music, Katherine Margaret Kilburn

Link

Fearless Programming: Invigorating the American Orchestral Tradition through New Music, Octavio Más-Arocas

Theses/Dissertations from 2015

Link

Telematic Music: History and Development of the Medium and Current Technologies Related to Performance, Mark Cook

Link

Self-Actualization: Transcendentalist Discourse in the Work of Stuart Saunders Smith, Jose Augusto Duarte Lacerda

Link

But why is it so Long?: Eschatology and Time Perception as an Interpretation of Morton Feldman's 'For Philip Guston', Jeffrey M. Manchur

Link

The Stillness of the Silent Sound: A Tantric Analysis of Karlheinz Stockhausen's Aus den sieben Tagen, Mihai Popean

Theses/Dissertations from 2014

Link

Examining François Rossé's Japanese-Influenced Chamber Music with Saxophone: Hybridity, Orality, and Primitivism as a Conceptual Framework, Noa Even

Link

Creative Musical Improvisation in the Development and Formation of NEXUS Percussion Ensemble, Olman Piedra

Link

Continuity, Motion, and Energy through the Spectrum: An Analysis of Philippe Leroux's Un Lieu Verdoyant - Hommage à Gérard Grisey, Andrew Smith

Theses/Dissertations from 2013

Link

A Comparison of Teacher-Guided Instruction and Self-Guided Student Practice Strategies, Spencer Prewitt

Theses/Dissertations from 2012

Link

Ingressive Phonation in Contemporary Vocal Music, Amanda DeBoer

Link

Reimagining the Story of Lu You and Tang Wan: Ge Gan-ru's Wrong, Wrong, Wrong! and Hard, Hard, Hard!, Yen-Lin Goh

Link

The Solo Piano Music of David Lang, Karl Larson

Link

A Study of the Relationship Between Traditional Peking Opera and Contemporary Western Percussion Music in Mu Kuei-Yin in Percussion by Chien-Hui Hung, Isabelle Streng

Theses/Dissertations from 2010

Link

Anatomy and Evolution of Morton Subotnick’s In Two Worlds for Alto Saxophone and Interactive Computer, Jeffrey Heisler

Link

A Cultural Analysis of Chen Yi's Si Ji (Four Seasons) For Orchestra, Timothy Stulman

Link

The Piano Etudes of David Rakowski, I-Chen Yeh